Guy Grossi
Guy Grossi
Mitch Wallis, Western Bulldogs
Mitch Wallis, Western Bulldogs
Officeworks.
Officeworks.
Boutique Homes
Boutique Homes
Cotton On
Cotton On
John Haliday, FAD Gallery
John Haliday, FAD Gallery
Dental Health Services Victoria
Dental Health Services Victoria
Jana Investment Australia
Jana Investment Australia
Jana Investment Australia
Jana Investment Australia
Paper Manufacturing Australia
Paper Manufacturing Australia
Paper Manufacturing Australia
Paper Manufacturing Australia
Paint Ballers
Paint Ballers
Rock Climbers Mount Arapiles
Rock Climbers Mount Arapiles
Standard Dress Diving Suit with Warren Jackman
Standard Dress Diving Suit with Warren Jackman
Tim Muscat, Cave Diver in Weebubbie Cave Nullarbor WA
Tim Muscat, Cave Diver in Weebubbie Cave Nullarbor WA
Bradley Dohnt, Cave Diver, Olwolgin Cave, Hampton Tablelands, WA
Bradley Dohnt, Cave Diver, Olwolgin Cave, Hampton Tablelands, WA
South Wharf, Melbourne Convention and Exhibition Centre
South Wharf, Melbourne Convention and Exhibition Centre
South Wharf, Melbourne Convention and Exhibition Centre
South Wharf, Melbourne Convention and Exhibition Centre
South Wharf, Melbourne Convention and Exhibition Centre
South Wharf, Melbourne Convention and Exhibition Centre
Guy Grossi
Guy GrossiGuy Grossi (born 13 May 1965) is an Australian chef and media personality. He owns several restaurants in Melbourne.In 1996, Grossi was awarded the L’insegna Del Ristorante Italiano, by the president of Italy, for his dedication to presenting and promoting “La Cucina Italiana” and life style. He has published five cookbooks “Grossi Florentino – secrets and recipes”, “My Italian Heart”,"Recipes From My Mother's Kitchen" "Italian Food Safari", based on the SBS TV series and most recently "Love Italy"Grossi was born in Melbourne and raised by his parents Pietro Grossi and Marissa Grossi. His father Pietro came to Australia from Milan in 1960 to work as a chef at Mario's in Exhibition Street, Melbourne.He attended Dallas North Primary School before moving to Glenhuntly Primary, then Caulfield Technical School where he completed up to year 10From 1980 to 1980, Grossi completed an apprenticeship in commercial cookery at the Box Hill Institute.At the age of fifteen he began working in a Malvern seafood restaurant before progressing to Tolarno's, where his father led the kitchen.Later, he moved to Massoni's in Fitzroy Street, owned by his father Pietro, Leon Massoni, and David GibsonFollowing a stint at Two Faces, he and his wife, Melissa opened Quadri, a restaurant of their own in Armadale. Guy’s father Pietro joined them to open Caffé Grossi in 1988.In 1999, Grossi purchased an Italian restaurant in Melbourne, The Florentino.Later, he purchased Mirka Continental Bistro in St Kilda, Victoria and had the building's murals restored by the original artist, Mirka Mora.The murals were first painted in the 1960s when Mora and her husband Georges owned the Tolarno Hotel.In 2009, he opened Grossi Trattoria and Wine Bar at the Intercontinental Hotel in Bangkok, Thailand In 2010, he opened The Merchant in the Rialto Towers as a joint venture with Lorenz Grollo saw the opening of a new restaurant, The Merchant. Merchant features traditional dishes from Veneto, where Guy’s mother and the Grollo family originate. In 2012, Guy opened Ombra Salumi Bar next door to Grossi Florentino in central Melbourne.Guy has appeared on various Australian television programs including Food Safari, Masterchef,9am with David and Kim, Fresh, Postcards, Getaway, Neighbours, My Kitchen Rules, A Current Affair, and Sunrise. He has also appeared on various American shows such as CBS in New York and Good Day Philadelphia.Stewart Donn Photography.A Melbourne based photographer specialising in all Corporate, Commercial, Advertising, Industrial and Product photography. Specialising in this type of photography allows Stewart to make complicated corporate and industrial scenes, and the people in these scenes, look heroic, interesting and beautiful.Based in Melbourne’s Western suburbs.Stewart has worked and is comfortable working with, small one to five man companies such as Fundere Artist Foundry in Footscray, through to larger companies such as the Melbourne Convention & Exhibition Centre, Museum Victoria, and Energy Power Systems Australia, and has also worked with Agency’s such as Badjar Ogilvy, One20 and DT Digital.
Mitch Wallis, Western Bulldogs
Mitch Wallis, Western BulldogsThe Western Bulldogs (formerly the Footscray Football Club) is a professional Australian rules football club that competes in the Australian Football League (AFL), the sport's premier competition. Founded in 1877 in Footscray, an inner-western suburb of Melbourne, Victoria, the club won nine premierships in the Victorian Football Association (VFA) before gaining entry to the Victorian Football League (since renamed the AFL) in 1925. The club has won two VFL/AFL premierships, in 1954 and 2016, and was runner up in 1961.The Western Bulldogs' home guernsey features two thick horizontal hoops—one red and one white—on a royal blue background. The club's traditional rivals include St Kilda and geographical rival Essendon.The club's headquarters and training facilities are located in Footscray at Whitten Oval, nicknamed "The Kennel", its original home ground. The club draws much of its supporter base from Melbourne's traditionally working class western region, and plays its home matches at Docklands Stadium (currently known as Etihad Stadium) in the Docklands area, also in the city's inner-west. In 1996, the club changed its name from the "Footscray Football Club" to its nickname, the "Western Bulldogs".In 2016, the Bulldogs fought through numerous injuries to finish 7th in the home and away season and, after a series of against-the-odds finals victories, qualified for the AFL Grand Final for the first time in 55 years. In doing so, it became the first club to reach the premiership contender from such a low position on the ladder.The club ended a 62-year premiership drought with a 22-point victory over minor premiers the Sydney Swans. Jason Johannisen won the Norm Smith Medal, while coach Luke Beveridge gave his Jock McHale Medal to captain and club veteran Robert Murphy—who suffered a season-ending injury in round 3—saying, "This is yours, mate. You deserve it more than anyone." This gesture, described as "one of the most touching" in football history, was met with a standing ovation by the crowd. Though thankful, Murphy returned the medal to Beveridge the following morning, saying he could not keep it. They decided to place the medal in the Western Bulldogs' museum.Footscray went by a variety of nicknames during the VFA years, including the Bone Mill Fellows, the Saltwater Lads, and, most popularly, the Tricolours, in reference to the club guernsey.The Western Bulldogs adopted its current nickname during the 1928 VFL season after a bulldog ran onto the field and accidentally led the players out against Collingwood at the Western Oval (now Whitten Oval), "to the wild applause of the callow youth", wrote one match reporter. Supporters felt that the bulldog typified Footscray's "bulldog spirit" that season, and it became the club's nickname and mascot.The club played its home matches at the Western Oval, located in the inner-western Melbourne suburb of Footscray, from 1884 until 1997 (except for a brief period at nearby Yarraville Oval, from 1941 to 1943). Home to the club's training facilities and administrative headquarters, the oval, nicknamed "The Kennel", was officially renamed Whitten Oval in 1995 in honour of club legend Ted Whitten, who died that year. It underwent a A$20 million redevelopment in 2005.[18]Melbourne's Princes Park became the Western Bulldogs' primary home ground from 1997 until 1999. Since 2000, the club has been based at Docklands Stadium (currently known as Etihad Stadium).Stewart Donn Photography.A Melbourne based photographer specialising in all Corporate, Commercial, Advertising, Industrial and Product photography. Specialising in this type of photography allows Stewart to make complicated corporate and industrial scenes, and the people in these scenes, look heroic, interesting and beautiful.Based in Melbourne’s Western suburbs.Stewart has worked and is comfortable working with, small one to five man companies such as Fundere Artist Foundry in Footscray, through to larger companies such as the Melbourne Convention & Exhibition Centre, Museum Victoria, and Energy Power Systems Australia, and has also worked with Agency’s such as Badjar Ogilvy, One20 and DT Digital.
Officeworks.
Officeworks.Officeworks is a chain of Australian office supplies stores in Australia and the market leader. The company was established in the early 1990s by Coles Myer (which became Coles Group, now part of and owned by WA-based company Wesfarmers). Its head office is located in Bentleigh East, Melbourne. The store concept adopted by Officeworks was based on the US chain Office Depot.The first Officeworks store opened in the inner city suburb of Richmond in Melbourne on the 16th of June 1994.Harris Technology, an IT retailer, was purchased by Coles Myer in 1999 and became a subsidiary of the larger office supplies retailer. Viking Australia (a subsidiary of Office Depot) was purchased by Coles Myer in December 2002 and was merged with Officeworks Direct to form Officeworks BusinessDirect, now referred to as Officeworks Business.By late 2006 the business opened its 100th store in South Yarra, just kilometres from the first store in Richmond. Officeworks had 139 retail stores as at May 2011,with a presence in every Australian state and territory.Following the purchase of Coles Group by Wesfarmers in November 2007, Officeworks and Harris Technology became part of Wesfarmers' Home Improvement and Office Supplies division.Officeworks rebranded in 2008, revising its logo, uniforms, store department names, and slogan - "Lowest Prices Everyday". The revised branding positioned Officeworks as a low cost warehouse similar to that of its sister company Bunnings Warehouse. Officeworks also adopted the "Lowest Price Guarantee" similar to that found at Bunnings, where Officeworks will beat any competitor's price of an identical item by 5%. In 2011 Officeworks cut ties with paper supplier APRIL over claims that the paper supplier was illegally logging Indonesian forests.Officeworks changed its slogan in August 2012 to "Big Ideas. Lowest prices". Under the new advertising campaign, commercials focussed on store prices being checked "twice daily", and slogans such as "we buy in bulk, so you get the lowest prices" were used.Officeworks "lowest price guarantee" still remains with a 5% discount offered if a lower price is found elsewhere. Officeworks also began offering free Wi-Fi access in all stores.By 2016 Officeworks reached 158 stores in total.Most Officeworks stores feature the following departments:Print & Copy (aka Copy Centre, formerly Printworks) - Provides services including printing, photocopying, laminating, custom promotional products, Photobooks, business cards, printed stationery, stamps and name badgesTechnology (aka Business Machines, formerly Techworks) - Computers, business machines, consumables and other electronic products.Furniture (formerly Furnitureworks) - Chairs, desks, workstations, filing cabinets, pedestals, lighting and other office furniture.Stationery - Pens, paper and other stationery needs.Some stores formerly featured Inkworks, which provided ink and toner replacements and recycling. This is now part of Technology/Business Machines.Officeworks Business is the internet and phone sales division of Officeworks, with its own warehouses. It stocks a larger range to retail stores on a delivery only basis, with a focus on day-to-day needs of medium to large businesses rather than small business and general consumers that shop in store.Stewart Donn Photography.A Melbourne based photographer specialising in all Corporate, Commercial, Advertising, Industrial and Product photography. Specialising in this type of photography allows Stewart to make complicated corporate and industrial scenes, and the people in these scenes, look heroic, interesting and beautiful.Based in Melbourne’s Western suburbs.Stewart has worked and is comfortable working with, small one to five man companies such as Fundere Artist Foundry in Footscray, through to larger companies such as the Melbourne Convention & Exhibition Centre, Museum Victoria, and Energy Power Systems Australia, and has also worked with Agency’s such as Badjar Ogilvy, One20 and DT Digital.
Boutique Homes
Boutique HomesAt Boutique, we build homes for better living. That means designing for functionality and flexibility as well as beauty. It means a commitment to quality and craftsmanship. And it means striving to provide an enjoyable process from the moment you speak with a New Homes Consultant through to completion of your new home.Boutique is part of the ABN Group, Australia’s leader in construction, property and finance. This gives us access to an extensive range of talent and experienced suppliers, which allows us to back each home with a 25 year structural guarantee and industry leading aftercare program.We’re driven by a desire to build a home you will be proud of the moment you first walk through the door.Boutique balances the clever design and personalised attention of a specialist builder with the stability and experience of a larger company. We’re proudly part of the ABN Group, Australia’s leader in construction, property and finance, and owned by partners Aidan Hooper and Dale Alcock.The ABN Group was established in 1978. More than 38 years on, we’re still true to our philosophy of building every home as if it’s our own. We’ve built more than 55,000 homes in Western Australia and Victoria, and we’ve steadfastly maintained our attention to quality, while always striving to innovate in design and customer service.The ABN Group consists of a number of residential builders including: APG Homes, Celebration Homes, Dale Alcock Homes, Homebuyers Centre and Webb & Brown Neaves.Stewart Donn Photography.A Melbourne based photographer specialising in all Corporate, Commercial, Advertising, Industrial and Product photography. Specialising in this type of photography allows Stewart to make complicated corporate and industrial scenes, and the people in these scenes, look heroic, interesting and beautiful.Based in Melbourne’s Western suburbs.Stewart has worked and is comfortable working with, small one to five man companies such as Fundere Artist Foundry in Footscray, through to larger companies such as the Melbourne Convention & Exhibition Centre, Museum Victoria, and Energy Power Systems Australia, and has also worked with Agency’s such as Badjar Ogilvy, One20 and DT Digital.
Cotton On
Cotton OnCotton On was founded in 1991, with the first store being opened in Geelong, Australia.[2] As of 2013, the Cotton On chain has over 1000 stores worldwide.[3] As of 2011 the company employed around 5,500 people.[4]The company was established by Nigel Austin in Geelong, Australia, at the time it only sold women's clothing. Since January 2006, it had expanded with Cotton On Body and Cotton On Kids in 2007. It expanded to Typo (stationery and gifts), and also Rubi Shoes in February 2008.The design team in the company's Australian office controls the steps of production from merchandise planning to establishing specifications, and production is outsourced to approximately 150 factories in Europe and Asia. These facilities are used for horizontal division of labor rather than being integrated.After the collapse of the Rana Plaza building in Bangladesh in April 2013, Cotton On, along with other major Australian retailers, became the focus of a campaign by Oxfam Australia to get the company to sign the Bangladesh Fire and Safety Accord.[5]In 2013, Cotton On acquired Australian fast-fashion brand Supré and plans to expand the brand internationally.Cotton On hired Australian TV personality Lara Bingle to be the spokesperson of their One launch, which offered comfortable cotton basic shirts offered in a variety of necklines including V-neck, scoop and crew. Lara Bingle has also designed swimwear for the Australian Brand under their Body label.Stewart Donn Photography.A Melbourne based photographer specialising in all Corporate, Commercial, Advertising, Industrial and Product photography. Specialising in this type of photography allows Stewart to make complicated corporate and industrial scenes, and the people in these scenes, look heroic, interesting and beautiful.Based in Melbourne’s Western suburbs.Stewart has worked and is comfortable working with, small one to five man companies such as Fundere Artist Foundry in Footscray, through to larger companies such as the Melbourne Convention & Exhibition Centre, Museum Victoria, and Energy Power Systems Australia, and has also worked with Agency’s such as Badjar Ogilvy, One20 and DT Digital.
John Haliday, FAD Gallery
John Haliday, FAD GalleryContemporary paintings, photography, taking it easy on Tuesdays and Wednesdays, then live music on Thursdays, a great DJ on Friday and Saturday, playin’ groooovy tunes from the last five to six decades.Considered one of Melbourne’s iconic art gallery venues and bars since 1995, FAD Gallery presents regular exhibitions, music, the occasional private party and hopefully some interesting events throughout the year.So come enjoy a bit of culture, some good times and some mad people in the heart of Chinatown… The bar has a range of local and imported beers, very basic cocktails, spirits, juices blah blah blah, our drinks prices are pretty reasonable – we do try to please. Stewart Donn Photography.A Melbourne based photographer specialising in all Corporate, Commercial, Advertising, Industrial and Product photography. Specialising in this type of photography allows Stewart to make complicated corporate and industrial scenes, and the people in these scenes, look heroic, interesting and beautiful.Based in Melbourne’s Western suburbs.Stewart has worked and is comfortable working with, small one to five man companies such as Fundere Artist Foundry in Footscray, through to larger companies such as the Melbourne Convention & Exhibition Centre, Museum Victoria, and Energy Power Systems Australia, and has also worked with Agency’s such as Badjar Ogilvy, One20 and DT Digital.
Dental Health Services Victoria
Dental Health Services VictoriaDental Health Services Victoria (DHSV) was established in 1996 and is the leading public oral health agency in Victoria.We aim to improve the oral health of all Victorians, particularly vulnerable groups and those most in need. DHSV is funded by the State Government to provide clinical dental services to eligible Victorians.We help to provide Victorians with quality oral healthcare through The Royal Dental Hospital of Melbourne (RDHM) and by purchasing dental services for public patients from more than 53 community health agencies throughout Victoria.DHSV uses its leadership role to add value to its relationships with agencies to improve oral health and provide as many oral health services to as many eligible people as possible.We are also guided by Victorian and national oral health plans, regional oral health plans, evidence-based oral health promotion resources and research publications.As trusted advisors in public oral health policy and program and guideline development, we continue to contribute to improving oral health in our communities.The history of The Royal Dental Hospital of Melbourne dates back to 1890 when dentists began providing voluntary services out of premises at 225 Lonsdale Street, Melbourne. Known then as the Melbourne Dental Hospital, it moved to 189 Lonsdale and then 193 Spring Street, before Victoria’s first purpose-built dental hospital was opened in Grattan Street, Parkville, in 1963. In 1969 its name was changed to The Royal Dental Hospital of Melbourne. In 2003 the Hospital moved to its current location at 720 Swanston Street, Carlton.The Royal Dental Hospital of Melbourne is Victoria’s leading dental teaching facility, working in partnership with The University of Melbourne, RMIT University and La Trobe University in the education of dental and oral health professionals.Healthy Families, Healthy Smiles aims to improve the oral health of Victorian children aged 0-3 years and pregnant women by building capacity of health and early childhood professionals to promote oral health.Healthy Families, Healthy Smiles has a range of training and professional development packages for professionals working with young families to support better oral health. Healthy Families, Healthy Smiles works with:Midwives involved in antenatal health careMaternal and Child Health nursesEarly childhood professionals including child care educators, supported playgroup facilitators and family support workersAboriginal health servicesGeneral practitioners, practice nurses and refugee health nursesDietitians and other allied health professionalsPharmacistsFor more information about how you can promote oral health in your work visit our professionals’ page www.dhsv.org.au/professionals.The Victorian Government Department of Health and Human Services funds Dental Health Services Victoria (DHSV) to deliver the Healthy Families, Healthy Smiles initiative.The Midwifery Initiated Oral Health Education Program (MIOH) is an online training course that equips midwives working in antenatal care with the skills and confidence to include oral health in their practice.The MIOH e-learning program is a collaborative partnership with the Centre for Applied Nursing Research, Western Sydney University, Sydney and South Western Sydney Local Health District/Ingham Institute Applied Medical Research.Midwives working in antenatal care can click on the button to express interest in enrolling in this course.Stewart Donn Photography.A Melbourne based photographer specialising in all Corporate, Commercial, Advertising, Industrial and Product photography. Specialising in this type of photography allows Stewart to make complicated corporate and industrial scenes, and the people in these scenes, look heroic, interesting and beautiful.Based in Melbourne’s Western suburbs.Stewart has worked and is comfortable working with, small one to five man companies such as Fundere Artist Foundry in Footscray, through to larger companies such as the Melbourne Convention & Exhibition Centre, Museum Victoria, and Energy Power Systems Australia, and has also worked with Agency’s such as Badjar Ogilvy, One20 and DT Digital.
Jana Investment Australia
Jana Investment AustraliaJANA is a leading investment consulting firm with offices in Melbourne & Sydney. Our core business is providing traditional and implemented consulting to institutional clients. Our strategic advice has helped clients to outperform through all market cycles.JANA was established in 1987 to provide institutional investment advice and became a fully-owned subsidiary of National Australia Bank (NAB) Limited in December 2000.  NAB is one of Australia’s top banking groups [1] and largest listed institutions [2], managing relationships with retail, corporate and institutional clients in Australia and internationally.  Our clients benefit from the bank’s organisational strength as well as its expert resources and infrastructure support.JANA operates free of any requirements or direction affecting our independence.  We are in no way influenced or compelled to favour NAB services or products in our investment approach and recommendations to our clients.After 15 years exclusively providing advisory consulting services, we established our implemented consulting business in 2002.  This service was developed in response to the requirements of clients and not built as a discrete investment product. JANA operates as a single business for our advisory and implemented consulting services. Investment consulting is our core business.In February 2012, the JANA and MLC Implemented Consulting businesses combined. Then in April 2014, JANA and MLC Investment Management came together – all under the JANA name – to cement our ‘best‐of-breed’ research and portfolio construction expertise with a clear focus on delivering superior investment outcomes for clients.Stewart Donn Photography.A Melbourne based photographer specialising in all Corporate, Commercial, Advertising, Industrial and Product photography. Specialising in this type of photography allows Stewart to make complicated corporate and industrial scenes, and the people in these scenes, look heroic, interesting and beautiful.Based in Melbourne’s Western suburbs.Stewart has worked and is comfortable working with, small one to five man companies such as Fundere Artist Foundry in Footscray, through to larger companies such as the Melbourne Convention & Exhibition Centre, Museum Victoria, and Energy Power Systems Australia, and has also worked with Agency’s such as Badjar Ogilvy, One20 and DT Digital.
Jana Investment Australia
Jana Investment AustraliaJANA is a leading investment consulting firm with offices in Melbourne & Sydney. Our core business is providing traditional and implemented consulting to institutional clients. Our strategic advice has helped clients to outperform through all market cycles.JANA was established in 1987 to provide institutional investment advice and became a fully-owned subsidiary of National Australia Bank (NAB) Limited in December 2000.  NAB is one of Australia’s top banking groups [1] and largest listed institutions [2], managing relationships with retail, corporate and institutional clients in Australia and internationally.  Our clients benefit from the bank’s organisational strength as well as its expert resources and infrastructure support.JANA operates free of any requirements or direction affecting our independence.  We are in no way influenced or compelled to favour NAB services or products in our investment approach and recommendations to our clients.After 15 years exclusively providing advisory consulting services, we established our implemented consulting business in 2002.  This service was developed in response to the requirements of clients and not built as a discrete investment product. JANA operates as a single business for our advisory and implemented consulting services. Investment consulting is our core business.In February 2012, the JANA and MLC Implemented Consulting businesses combined. Then in April 2014, JANA and MLC Investment Management came together – all under the JANA name – to cement our ‘best‐of-breed’ research and portfolio construction expertise with a clear focus on delivering superior investment outcomes for clients. Stewart Donn Photography.A Melbourne based photographer specialising in all Corporate, Commercial, Advertising, Industrial and Product photography. Specialising in this type of photography allows Stewart to make complicated corporate and industrial scenes, and the people in these scenes, look heroic, interesting and beautiful.Based in Melbourne’s Western suburbs.Stewart has worked and is comfortable working with, small one to five man companies such as Fundere Artist Foundry in Footscray, through to larger companies such as the Melbourne Convention & Exhibition Centre, Museum Victoria, and Energy Power Systems Australia, and has also worked with Agency’s such as Badjar Ogilvy, One20 and DT Digital.
Paper Manufacturing Australia
Paper Manufacturing AustraliaAustralian Paper is the only Australian manufacturer of office, printing and packaging papers. Australian Paper directly employs 1,294 people and manufactures more than 600,000 tonnes of paper annually for Australia, New Zealand and export markets.[1] It has two manufacturing facilities: the Maryvale Mill (Latrobe Valley, Victoria) and the Preston manufacturing facility (Preston, Victoria).[2]Australian Paper was purchased from Paperlinx by Japan-based Nippon Paper Group in June 2009.[3]In February 2015 Australian Paper announced the closure of the Shoalhaven Paper Mill in Nowra, NSW.[4] The mill closed in July 2015.[5]In April 2015 Australian Paper opened a new A$90 million paper recycling plant at the Maryvale Mill. The plant can process up to 80,000 tonnes of wastepaper a year.Norske Skog (Australasia) Pty Ltd.The Sydney sales office is responsible for the supply of approx 600,000 tonnes of paper to publishers and commercial printers throughout Australia. Publication papers available are newsprint, high white 'improved newsprint', book and directory papers from the Albury, Boyer and Tasman mills together with supercalendered grades and coated paper from Norske Skog’s European mills.Norske Skog has the privilege of supplying the bulk of the total newspaper publishing paper requirements for both metropolitan and regional publishers throughout the country.Considerable innovation in logistics and service systems together with regular upgrading of paper machines has lead to highly efficient and effective supply capabilities on a sustainable basis.Stewart Donn Photography.A Melbourne based photographer specialising in all Corporate, Commercial, Advertising, Industrial and Product photography. Specialising in this type of photography allows Stewart to make complicated corporate and industrial scenes, and the people in these scenes, look heroic, interesting and beautiful.Based in Melbourne’s Western suburbs.Stewart has worked and is comfortable working with, small one to five man companies such as Fundere Artist Foundry in Footscray, through to larger companies such as the Melbourne Convention & Exhibition Centre, Museum Victoria, and Energy Power Systems Australia, and has also worked with Agency’s such as Badjar Ogilvy, One20 and DT Digital.
Paper Manufacturing Australia
Paper Manufacturing AustraliaAustralian Paper is the only Australian manufacturer of office, printing and packaging papers. Australian Paper directly employs 1,294 people and manufactures more than 600,000 tonnes of paper annually for Australia, New Zealand and export markets.[1] It has two manufacturing facilities: the Maryvale Mill (Latrobe Valley, Victoria) and the Preston manufacturing facility (Preston, Victoria).[2]Australian Paper was purchased from Paperlinx by Japan-based Nippon Paper Group in June 2009.[3]In February 2015 Australian Paper announced the closure of the Shoalhaven Paper Mill in Nowra, NSW.[4] The mill closed in July 2015.[5]In April 2015 Australian Paper opened a new A$90 million paper recycling plant at the Maryvale Mill. The plant can process up to 80,000 tonnes of wastepaper a year.Norske Skog (Australasia) Pty Ltd.The Sydney sales office is responsible for the supply of approx 600,000 tonnes of paper to publishers and commercial printers throughout Australia. Publication papers available are newsprint, high white 'improved newsprint', book and directory papers from the Albury, Boyer and Tasman mills together with supercalendered grades and coated paper from Norske Skog’s European mills.Norske Skog has the privilege of supplying the bulk of the total newspaper publishing paper requirements for both metropolitan and regional publishers throughout the country.Considerable innovation in logistics and service systems together with regular upgrading of paper machines has lead to highly efficient and effective supply capabilities on a sustainable basis.Stewart Donn Photography.A Melbourne based photographer specialising in all Corporate, Commercial, Advertising, Industrial and Product photography. Specialising in this type of photography allows Stewart to make complicated corporate and industrial scenes, and the people in these scenes, look heroic, interesting and beautiful.Based in Melbourne’s Western suburbs.Stewart has worked and is comfortable working with, small one to five man companies such as Fundere Artist Foundry in Footscray, through to larger companies such as the Melbourne Convention & Exhibition Centre, Museum Victoria, and Energy Power Systems Australia, and has also worked with Agency’s such as Badjar Ogilvy, One20 and DT Digital.
Paint Ballers
Paint BallersPaintball is a game developed in the 1980s in which players eliminate opponents from play by hitting them with dye-filled, breakable, oil and gelatin paintballs, or pellets, usually shot from a carbon dioxide or compressed air (Nitrogen) powered “paintball marker”. The game is regularly played at a sporting level with organized competition involving major tournaments, professional teams, and players.[2][3] Paintball technology is also used by military forces, law enforcement, para-military and security organizations to supplement military training, as well as playing a role in riot response, and non-lethal suppression of dangerous suspects.Games can be played on indoor or outdoor fields of varying sizes. A game field is scattered with natural or artificial terrain, which players use for tactical cover. Game types in paintball vary, but can include capture the flag, elimination, ammunition limits, defending or attacking a particular point or area, or capturing objects of interest hidden in the playing area. Depending on the variant played, games can last from seconds to hours, or even days in scenario play.The paintball equipment used may depend on the game type, for example: woodsball, speedball, or scenario; on how much money one is willing to spend on equipment; and personal preference. However, almost every player will utilize three basic pieces of equipment:Paintball marker: also known as a "paintball gun", this is the primary piece of equipment, used to mark the opposing player with paintballs. The paintball gun must have a loader or "hopper" or magazines attached to keep the marker fed with paint, and will be either spring-fed, gravity-fed (where balls drop into the loading chamber), or electronically force-fed. Modern markers require a compressed-air tank or CO2 tank. In contrast, very early bolt-action paintball markers used disposable silver capsules (12-gram CO2 cartridges) normally seen in pellet guns. In the mid to late 1980s, marker mechanics improved to include constant air pressure and semi-automatic operation.[4][5][6] Further improvements included increased rates of fire; carbon dioxide (CO2) tanks from 3.5 to 40 ounces, and compressed-air or nitrogen tanks in a variety of sizes and pressure capacities up to 5000 PSI. The use of unstable CO2 causes damage to the low-pressure pneumatic components inside electronic markers, therefore the more stable compressed air is preferred by owners of such markers.Paintballs (pellets): Paintballs, the ammunition used in the marker, are spherical gelatin capsules containing primarily polyethylene glycol, other non-toxic and water-soluble substances, and dye. The quality of paintballs is dependent on the brittleness of the ball's shell, the roundness of the sphere, and the thickness of the fill; higher-quality balls are almost perfectly spherical, with a very thin shell to guarantee breaking upon impact, and a thick, brightly colored fill that is difficult to hide or wipe off during the game. The highest-grade paintballs incorporate cornstarch and metallic flake into the fill to leave a thick glittery "splat" that is very obvious against any background color, and hard to wipe off. Almost all paintballs in use today are biodegradeable. All ingredients used in the making of a paintball are food-grade quality and are harmless to the participants and environment. Manufacturers and distributors have been making the effort to move away from the traditional oil-based paints and compressed CO2 gas propellant, to a more friendly water-based formula and compressed air in an effort to become more "eco-friendly". Paintballs come in a variety of sizes, including of 0.50" (.50 Caliber) an 0.68" (.68 Caliber).Mask or goggles: Masks are safety devices players are required to wear at all times on the field, to protect them from paintballs.[7] The original equipment used by players were safety goggles of the type used in labs and wood shops; today's goggles are derived from skiing/snowboarding goggles, with an attached shell that completely covers the eyes, mouth, ears and nostrils of the wearer. Masks can also feature throat guards. Modern masks have evolved to be less bulky compared with older designs. Some players may remove the mouth and/or ear protection for aesthetic or comfort reasons, but this is neither recommended nor often allowed at commercial venues.Stewart Donn Photography.A Melbourne based photographer specialising in all Corporate, Commercial, Advertising, Industrial and Product photography. Specialising in this type of photography allows Stewart to make complicated corporate and industrial scenes, and the people in these scenes, look heroic, interesting and beautiful.Based in Melbourne’s Western suburbs.Stewart has worked and is comfortable working with, small one to five man companies such as Fundere Artist Foundry in Footscray, through to larger companies such as the Melbourne Convention & Exhibition Centre, Museum Victoria, and Energy Power Systems Australia, and has also worked with Agency’s such as Badjar Ogilvy, One20 and DT Digital.
Rock Climbers Mount Arapiles
Rock Climbers Mount ArapilesMount Arapiles is a rock formation that rises about 140 metres (460 ft) AHD above the Wimmera plains in western Victoria, Australia. It is located in Arapiles approximately 10 kilometres (6.2 mi) west of the town of Natimuk and is part of the Mount Arapiles-Tooan State Park. Arapiles is a very popular destination for rock climbers due to the quantity and quality of climbs. It is one of the premier climbing sites in Australia along with the nearby Grampians. The Aboriginal name for Arapiles is Djurite.Although there are many hiking routes to the top (including one resembling a via ferrata), most ascentionists choose to free climb one of the thousands of vertical routes on the mountain. Since the advent of modern rock climbing, thousands of routes have been recorded.HistoryNote: the modern history of Mount Arapiles is covered in greater detail in many of the works listed in the References section.Arapiles was first considered for climbing in a recreational manner in September 1963, when Bob and Steve Craddock travelled to Mitre Rock after seeing it in a tourist guide, and saw that their destination was dwarfed by Mount Arapiles. It was a number of weeks and visits before climbing was actually attempted at Arapiles, with the first climbs being recorded in November 1963 on what is now called "The Pinnacle Face". The pioneering group, consisting of the Craddocks, Doug Angus, Peter Jackson, and Greg Lovejoy split into two parties, with each party claiming a route on the same day. Many more climbs were put up in the following days and weeks, including the classic climb Tiptoe Ridge (5), and in 1964 Steve Craddock and his father Bob produced the first Arapiles climbing guidebook on a school duplicating machine (featuring 15 routes).March 1965 saw the establishment of two significant climbs: The Bard (12) and Watchtower Crack (16). These climbs were done on the same day and are still regarded as classic climbs, often seeing numerous ascents per day. Activity steadily increased at Arapiles and in August 1966, Mike Stone and Ian Speedie released the second guidebook, Mt Arapiles. It was the first hardcover guide in Australia and featured 108 climbs. The rest of the 1960s saw many more new routes put up of increasing difficulty, with many including numerous aid points. The focus was on "getting up the climb... and staying alive", whether free climbing or not.The early 70s saw a lull in activity at Arapiles as attention shifted to the Grampians and Mount Buffalo. Interest in Arapiles resurfaced in late 1973 with many imposing lines being climbed with a few aids. These routes brought a sense of accomplishment to the climbing community as new grades were continually being created. In 1975, American visitor "Hot" Henry Barber arrived and began freeing these routes with minimal protection. The 21-year-old made a significant impact at Arapiles, and his visit was a pivotal point in Australian climbing, as climbers worked to support the legacy of Barber by freeing their new lines instead of being content to leave in aid points.Word of Barber’s achievements spread and attracted a number of new young climbers to Arapiles. This group was later given the name "The New Wave" and throughout the rest of the 70s and early 80s they were responsible for scores of routes in the grade 20–25 range. The likes of Kim Carrigan, Mike Law and Mark Moorhead helped introduce a number of 26+ climbs, though the latter two did not often grade their climbs accurately (choosing to 'undergrade' them instead). This purposeful undergrading is known as "sandbagging" and is still common in Australian climbing (some would call it tradition), though not as much as it once was.German climber Wolfgang Güllich's ascent of Punks in the Gym in April 1985 was major achievement. The route blasts up the middle of a blank, attractive orange wall and gave Arapiles (and Australia) international exposure. At the time it was graded 32 and was the hardest climb in the world, setting a new benchmark for difficulty. Following Güllich's triumph, a number of routes of similar difficulty have been put up, though none take the "easiest way up" such an impressive feature. The fact that 'Punks' is chipped rarely makes it into most histories. In the early 90's a climber who was unable to do the climb added a glue hold which remains to this day.Arapiles is still a popular climbing destination, with some visitors staying for months at a time. The warm weather, accessibility, quantity and quality of climbs have helped to maintain the popularity of Arapiles with locals, Australians and international travellers alike.Mount Arapiles is mainly regarded as a traditional climbing area – where climbers are expected to place their own protection, and remove it after climbing. The vast majority of climbs are therefore done using removable protection such as nuts, cams and RPs.Contrary to popular belief, Arapiles also has quite a bit of sport climbing. Indeed, many of the most interesting sport routes in the country are to be found tucked away in a cool gully or a beautiful orange face. However, there are not many sport routes easier than 23. Popular bolted routes can be found at the following areas: Dec Crag, Flight Wall and surrounds, Skyline Walls, The Bluffs, Strolling Wall, Castle Crag, The Pharos, Yesterday Gully, Doggers Gully, Poosticks Wall.Many routes at Arapiles have lower-offs, so they can be approached from above or via an easier route. There is a strong tradition dating to the '80s of bringing the route down to your level, and it is now commonplace to rap in and pre-place gear. There are many routes with a mixture of fixed and natural gear for which this approach is suitable.Chipping the rock to 'improve' holds is regarded as vandalism and is theoretically not tolerated. However, the many exceptions to this stance include routes such as: Steps Ahead, London Calling, 'Sean's route in The Bluffs', Ethiopia, Punks, Lord of the Rings, Wackford direct, Pet Abuse, Slopin' Sleazin' and Cecil B de Mille.Stewart Donn Photography.A Melbourne based photographer specialising in all Corporate, Commercial, Advertising, Industrial and Product photography. Specialising in this type of photography allows Stewart to make complicated corporate and industrial scenes, and the people in these scenes, look heroic, interesting and beautiful.Based in Melbourne’s Western suburbs.Stewart has worked and is comfortable working with, small one to five man companies such as Fundere Artist Foundry in Footscray, through to larger companies such as the Melbourne Convention & Exhibition Centre, Museum Victoria, and Energy Power Systems Australia, and has also worked with Agency’s such as Badjar Ogilvy, One20 and DT Digital.
Standard Dress Diving Suit with Warren Jackman
Standard Dress Diving Suit with Warren JackmanStandard diving dress consists of a copper and brass or bronze diving helmet, an airline or hose from a surface supplied diving air pump, a waterproofed canvas diving suit, diving knife and weights, generally on the chest, back and shoes, to counteract the buoyancy.[1] Later models were equipped with a diver's telephone for voice communications with the surface.Some variants used rebreather systems to extend the use of gas supplies carried by the diver, and were effectively self-contained underwater breathing apparatus, and others were suitable for use with helium based breathing gases for deeper work. Divers could be deployed directly by lowering or raising them using the lifeline, or could be transported on a diving stage. Most diving work using standard dress was done heavy, with the diver sufficiently negatively buoyant to walk on the bottom.This type of diving equipment is also known as hard-hat or copper hat equipment, or heavy gear. It is sometimes known as a "Diver Dan" outfit, from the television show of the same name. It was commonly used for all underwater work which required more than breath-hold duration, and included marine salvage, civil engineering, pearl shell diving and other commercial diving work, and similar naval diving applications.The first successful diving helmets were produced by the brothers Charles and John Deane in the 1820s.[3] Inspired by a fire accident he witnessed in a stable in England,[4] he designed and patented a "Smoke Helmet" to be used by firemen in smoke-filled areas in 1823. The apparatus comprised a copper helmet with an attached flexible collar and garment. A long leather hose attached to the rear of the helmet was to be used to supply air - the original concept being that it would be pumped using a double bellows. A short pipe allowed breathed air to escape. The garment was constructed from leather or airtight cloth, secured by straps.[5]The brothers had insufficient funds to build the equipment themselves, so they sold the patent to their employer, Edward Barnard. It was not until 1827 that the first smoke helmets were built, by German-born British engineer Augustus Siebe. In 1828 they decided to find another application for their device and converted it into a diving helmet. They marketed the helmet with a loosely attached "diving suit" so that a diver could perform salvage work but only in a full vertical position, otherwise water entered the suit.In 1829 the Deane brothers sailed from Whitstable for trials of their new underwater apparatus, establishing the diving industry in the town. In 1834 Charles used his diving helmet and suit in a successful attempt on the wreck of Royal George at Spithead, during which he recovered 28 of the ship's cannon. In 1836, John Deane recovered from the discovered Mary Rose shipwreck timbers, guns, longbows, and other items.By 1836 the Deane brothers had produced the world's first diving manual, Method of Using Deane's Patent Diving Apparatus which explained in detail the workings of the apparatus and pump, plus safety precautions.In the 1830s the Deane brothers asked Siebe to apply his skill to improve their underwater helmet design.[6] Expanding on improvements already made by another engineer, George Edwards, Siebe produced his own design; a helmet fitted to a full length watertight canvas diving suit. The real success of the equipment was a valve in the helmet that meant that it could not flood no matter how the diver moved. This resulted in safer and more efficient underwater work.Siebe introduced various modifications on his diving dress design to accommodate the requirements of the salvage team on the wreck of the HMS Royal George, including making the helmet be detachable from the corselet; his improved design gave rise to the typical standard diving dress which revolutionised underwater civil engineering, underwater salvage, commercial diving and naval diving.[6]More recent diving helmet designs can be classified as free-flow and demand helmets. They are generally are made of stainless steel, fiberglass, or other strong and lightweight material. The copper helmets and standard diving dress are still widely used in parts of the world, but have largely been superseded by lighter and more comfortable equipment.Standard diving dress can be used up to depths of 600 feet (180 m) of sea water, provided a suitable breathing gas mixture is used. Air or other breathing gas may be supplied from hand pumps, compressors, or banks of high pressure storage cylinders, generally through a hose from the surface, though some models are autonomous, with built-in rebreathers. In 1912 the German firm Drägerwerk of Lübeck introduced their own version of standard diving dress using a gas supply from an oxygen rebreather and no surface supply. The system used a copper diving helmet and standard heavy diving suit. The breathing gas was circulated by using an injector system in the loop. This was developed further with the Modell 1915 "Bubikopf" helmet and the DM20 oxygen rebreather system for depths up to 20m, and the DM40 mixed gas rebreather which used an oxygen cylinder and an air cylinder for the gas supply for depths to 40m.[7]A continuous flow of compressed air is provided to the helmet and vented to the surrounding water at a pressure very close to the ambient pressure at the exhaust port,[1] which lets the diver breathe normally. The helmet must have a non-return valve at the air inlet port of the helmet, to prevent massive and fatal squeeze, should the air line be cut at the surface. Diving helmets, while very heavy, displace a great deal of water and combined with the air in the suit, would make the diver float with his head out of the water.[2]:33 To overcome this, some helmets are weighted, while other divers wear weighted belts which have straps that go over the base of the helmet. Some divers have an air inlet control valve, while others may have only one control, the exhaust back-pressure. Helmet divers are subject to the same pressure limitations as other divers, such as decompression sickness and nitrogen narcosis.[2]:1The full diving dress can weigh over 80 kilos.[citation needed]The one piece diving suit is called a diver's dress.[citation needed] The earliest suits were made of waterproofed canvas invented by Charles Mackintosh. From the late 1800s and throughout most of the 20th century, most Standard Dresses consisted of a solid sheet of rubber between layers of tan twill. Their thick vulcanized rubber collar is clamped to the corselet making the joint waterproof. The inner collar (bib) was made of the same material as the dress and pulled up inside the corselet and around the diver's neck. The wrist cuffs are also made of vulcanized rubber.[citation needed]The twill was available as heavy, medium, and light with the heavy working best against rough surfaces like barnacles and rocks. Different types of dress are defined by the clamping of the outer collar clamps to the corselet. The legs may be laced to reduce inflated volume, which could prevent excess gas from getting trapped in the legs and dragging an inverted diver to the surface.[2]:56 In normal UK commercial standard dress diving activities, the dress often did not have the lace up option.[citation needed]The diver remains dry - a big advantage during long dives, and wears sufficient clothing under the suit to keep warm depending on the water temperature.A diving helmet may be described by the number of bolts which hold it to the suit or to the corselet, and the number of vision ports, known as lights. For example, a helmet with four vision ports, and twelve studs securing the suit, would be known as a "four light, twelve bolt helmet".[citation needed]The helmet is usually made of two main parts: the bonnet, which covers the diver's head, and the corselet which supports the weight of the helmet on the diver's shoulders, and is clamped to the suit to create a watertight seal. The bonnet is attached and sealed to the corselet at the neck, either by bolts or an interrupted screw-thread, with some form of locking mechanism.[citation needed]When the telephone was invented, it was applied to the standard diving dress.The bonnet is usually a copper shell with soldered brass fittings. It covers the diver's head and provides sufficient space to turn the head to look out of the glazed faceplate and other viewports (windows). The front port can usually be opened for ventilation and communication when the diver is on deck, by being screwed out or swung to the side on a hinge. The other lights (another name for the viewports) are generally fixed. Viewports are glass, and are usually protected by brass or bronze grilles. The helmet has fittings to connect the air line and the diver's telephone.[citation needed]Later helmets include a non-return valve where the airline is connected, which prevents potentially fatal helmet squeeze if the pressure in the hose is lost. The difference in pressure between the surface and the diver can be so great that if the air line is cut at the surface and there is no non-return valve, the diver would be partly squeezed into the helmet by the external pressure, and injured or possibly killed.[citation needed]Helmets also have a spring-loaded exhaust valve which allows excess air to leave the helmet. The spring force is adjustable by the diver to prevent the suit from deflating completely or over-inflating and the diver being floated uncontrollably to the surface. Some helmets have an extra manual exhaust valve known as a spit-cock. This allows the diver to vent excess air when he is in a position where the main exhaust can not function correctly.[citation needed]The corselet, also known as a breastplate, is an oval or rectangular collar-piece resting on the shoulders, chest and back, to support the helmet and seal it to the suit, usually made from copper and brass, but occasionally steel.[citation needed] The helmet is usually connected to the suit by placing the holes around the rubberised collar of the suit over bolts along the rim of the corselet, and then clamping the brass straps known as brailes against the collar with wing nuts to press the rubber against the metal of the corselet rim to make a water-tight seal. An alternative method was to bolt the bonnet to the corselet over a rubber collar bonded to the top of the suit.[7]Most bonnets are joined to the corselet by 1/8th turn interrupted thread. The helmet neck thread is placed onto the neck of the corselet facing the divers left front, where the threads do not engage, and then rotated forward, engaging the thread and seating on a leather gasket to make a watertight seal. The helmet usually hs a safety lock which prevents the bonnet from rotating back and separating underwater. Other styles of connection are also used, with the joint secured by clamps or bolts (usually three). Some helmets were made with the bonnet and corselet in one piece and secured to the suit in other ways.Stewart Donn Photography.A Melbourne based photographer specialising in all Corporate, Commercial, Advertising, Industrial and Product photography. Specialising in this type of photography allows Stewart to make complicated corporate and industrial scenes, and the people in these scenes, look heroic, interesting and beautiful.Based in Melbourne’s Western suburbs.Stewart has worked and is comfortable working with, small one to five man companies such as Fundere Artist Foundry in Footscray, through to larger companies such as the Melbourne Convention & Exhibition Centre, Museum Victoria, and Energy Power Systems Australia, and has also worked with Agency’s such as Badjar Ogilvy, One20 and DT Digital.
Tim Muscat, Cave Diver in Weebubbie Cave Nullarbor WA
Tim Muscat, Cave Diver in Weebubbie Cave Nullarbor WACave diving is an extreme sport in which a diver visits water-filled caves. The equipment used varies depending on the circumstances, and ranges from breath hold to surface supplied, but almost all cave diving is done using scuba equipment, often in specialised configurations. Cave diving is generally considered to be a type of technical diving due to the lack of a free surface during large parts of the dive, and often involves decompression.In the United Kingdom it is an extension of the more common sport of caving, and in the United States an extension of the more common sport of scuba diving. Compared to caving and scuba diving, there are relatively few practitioners of cave diving. This is due in part to the specialized equipment (such as rebreathers, diver propulsion vehicles and dry suits) and skill sets required, and in part because of the high potential risks, including decompression sickness and drowning.Despite these risks, water-filled caves attract scuba divers, cavers, and speleologists due to their often unexplored nature, and present divers with a technical diving challenge. Underwater caves have a wide range of physical features, and can contain fauna not found elsewhere.Cave diving is one of the most challenging and potentially dangerous kinds of diving or caving and presents many hazards. Cave diving is a form of penetration diving, meaning that in an emergency a diver cannot swim vertically to the surface due to the cave's ceilings, and so must swim the entire way back out. The underwater navigation through the cave system may be difficult and exit routes may be at considerable distance, requiring the diver to have sufficient breathing gas to make the journey. The dive may also be deep, resulting in potential deep diving risks.Visibility can vary from nearly unlimited to low, or non-existent, and can go from one extreme to the other in a single dive. While a less-intensive kind of diving called cavern diving does not take divers beyond the reach of natural light (and typically no deeper than 100 ft, and penetration not further than 200 ft), true cave diving can involve penetrations of many thousands of feet, well beyond the reach of sunlight. The level of darkness experienced creates an environment impossible to see in without an artificial form of light. Caves often contain sand, mud, clay, silt, or other sediment that can further reduce underwater visibility in seconds when stirred up.Caves can carry strong water currents. Most caves emerge on the surface as either springs or siphons. Springs have out flowing currents, where water is coming up out of the Earth and flowing out across the land's surface. Siphons have in-flowing currents where, for example, an above-ground river is going underground. Some caves are complex and have some tunnels with out-flowing currents, and other tunnels with in-flowing currents. If currents are not properly managed, they can cause serious problems for the diver.Cave diving has been perceived[1] as one of the more deadly sports in the world. This perception is arguable because the vast majority of divers who have lost their lives in caves have either not undergone specialized training or have had inadequate equipment for the environment.[1] Cave divers have suggested that cave diving is in fact statistically much safer than recreational diving due to the much larger barriers imposed by experience, training, and equipment cost.[1]There is no reliable worldwide database listing all cave diving fatalities. Such fractional statistics as are available, however, suggest that very few divers have ever died while following accepted protocols and while using equipment configurations recognized as acceptable by the cave diving community.[1] In the very rare cases of exceptions to this rule there have typically been unusual circumstances.[1]Most cave divers recognize five general rules or contributing factors for safe cave diving, which were popularized, adapted and became generally accepted from Sheck Exley's 1979 publication Basic Cave Diving: A Blueprint for Survival.[1] In this book, Exley included accounts of actual cave diving accidents, and followed each one with a breakdown of what factors contributed to the accident. Despite the uniqueness of any individual accident, Exley found that at least one of a small number of major factors contributed to each one. This technique for breaking down accident reports and finding common causes among them is now called Accident Analysis, and is taught in introductory cave diving courses. Exley outlined a number of these resulting cave diving rules, but today these five are the most recognized:Training: A safe cave diver does not intentionally exceed the boundaries of his/her training.[1] Cave diving is normally taught in stages, each successive stage focusing on more complex aspects of cave diving. Furthermore, each stage of training is intended to be coupled with real world experience before moving to a more advanced level. Accident analysis of recent cave diving fatalities has proven[citation needed] that academic training without sufficient real world experience is not enough in the event of an underwater emergency. Only by slowly building experience[citation needed] can one remain calm enough to recall their training should a problem arise. An inexperienced diver (who may be recently trained) is more likely to panic than an experienced diver when confronted with a similar situation.[citation needed]Guide line: A continuous guide line is maintained at all times between the leader of a dive team and a fixed point selected outside the cave entrance in open water.[1] Often this line is tied off a second time as a backup directly inside the cavern zone.[2] As the dive leader lays the guideline he takes great care to ensure there is appropriate tension on the line.[2] and that it does not go into line traps. Should a silt out occur, divers can find the taut line and successfully follow it back to the cave entrance.[2] Failure to use a continuous guide line to open water is cited as the most frequent cause of fatality among untrained, non-certified divers who venture into caves.[1]Depth rules: Gas consumption and decompression obligation increase with depth, and it is critical that no cave diver exceeds the dive plan or the maximum operating depth (MOD) of the gas mixture used.[1] Also, the effects of nitrogen narcosis are more critical in a cave, even for a diver who has the same depth experience in open water. Cave divers are advised not to dive to "excessive depth," and to keep in mind this effective difference between open water depth and cave depth. It should be noted that among fully trained cave divers' deaths, excessive depth is frequently cited as the cause.[1]Air (gas) management: The most common protocol is the 'rule of thirds,' in which one third of the initial gas supply is used for ingress, one third for egress, and one third to support another team member in the case of an emergency.[1][3] UK practice is to adhere to the rule of thirds, but with an added emphasis on keeping depletion of the separate air systems "balanced," so that the loss of a complete air system will still leave the diver with sufficient air to return safely. The rule of thirds makes no allowance for increased air consumption that the stress caused by the loss of an air system may induce. Dissimilar tank sizes among the divers are also not included by the rule of thirds, and a sufficient reserve should be calculated for each dive. UK practice is to assume that each diver is completely independent, as in a typical UK sump there is usually nothing that a buddy can do to assist a diver in trouble. Most UK cave divers dive solo. US sump divers follow a similar protocol.[citation needed] The rule of thirds was devised as an approach to diving Florida's caves[citation needed] - they typically have high outflow currents, which help to reduce air consumption when exiting. In a cave system with little (or no) outflow it is mandatory[by whom?] to reserve more air than is provided by the rule of thirds.Lights: Each cave diver must have three independent sources of light.[1] One is considered the primary and the other two are considered backup lights. Each light must have an expected burn time of at least the planned duration of the dive. If any one of the three light sources fail for one diver, the dive is called off and ended for all members of the dive team.[citation needed]Cave divers were taught to remember the five key components with the mnemonic: "The Good Divers Always Live".[4]In recent years new contributing factors were considered after reviewing accidents involving solo diving, diving with incapable dive partners, video or photography in caves, complex cave dives and cave diving in large groups. With the establishment of technical diving, the usage of mixed gases—such as trimix for bottom gas, and nitrox and oxygen for decompression—reduces the margin for error. Accident analysis suggests that breathing the wrong gas at the wrong depth and/or not analyzing the breathing gas properly has led to cave diving accidents.[citation needed]Cave diving requires a variety of specialized techniques. Divers who do not correctly apply these techniques, greatly increase the risk to the members of their team. The cave diving community works hard to educate the public on the risks they assume when they enter water-filled caves.[citation needed] Warning signs with the likenesses of the Grim Reaper have been placed just inside the openings of many popular caves in the US, and others have been placed in nearby parking lots and local dive shops.[5]Many cave diving sites around the world contain basins, which are also popular open-water diving sites. The management of these sites try to minimize the risk of untrained divers being tempted to venture inside the cave systems. With the support of the cave diving community, many of these sites enforce a "no-lights rule" for divers who lack cave training—they may not carry any lights into the water with them.[citation needed] It is easy to venture into an underwater cave with a light and not realize how far away from the entrance (and daylight) one has swum; this rule is based on the theory that, without a light, divers will not venture beyond daylight.[citation needed]New available technology and diver experience are no longer matching the initial phase of local cave diving accident analysis.[clarification needed] In the early phases the analysis shows that 90% of accidents were not trained cave divers; from the 2000s on the trend has reversed to 80% of accidents involving trained cave divers.[citation needed] Modern cave divers' capability and available technology allows divers to venture well beyond traditional training limits[clarification needed] and into actual exploration. The result is an increase of cave diving accidents, in fact in 2011 alone the yearly average of 2.5 fatalities a year triple.[citation needed] Furthermore, in 2012 fatality rate average had already been surpassed and actually reach the highest peak ever at over 20.[citation needed]As response to the increase in fatalities during the years 2010 onwards, the International Diving Research and Exploration Organization (IDREO) was created in order to "bring awareness of the current safety situation of Cave Diving" by listing current worldwide accidents by year and promoting a community discussion and analysis of accidents through a "Cave Diver Safety Meeting" held annually.[6]Equipment used by cave divers ranges from fairly standard recreational scuba configurations, to more complex arrangements which allow more freedom of movement in confined spaces, extended range in terms of depth and time, allowing greater distances to be covered in acceptable safety, and equipment which helps with navigation, in what are usually dark, and often silty and convoluted spaces.Scuba configurations which are more often found in cave diving than in open water diving include independent or manifolded twin cylinder rigs, side-mount harnesses, sling cylinders, rebreathers and backplate and wing harnesses. Bill Stone designed and utilized epoxy based tank for exploration of the San Agustín and Sistema Huautla caves in Mexico to decrease the weight for dry sections and vertical passages.[7][8]Stage cylinders are cylinders which are used to provide gas for a portion of the penetration. They may be deposited on the bottom at the guideline on preparation dives, to be picked up for use during the main dive, or may be carried by the divers and dropped off at the line during the penetration to be retrieved on the way out.One of the high risk hazards of cave diving is getting lost in the cave.[citation needed] The use of guidelines is the standard mitigation for this risk.[citation needed] Guidelines may be permanent or laid and recovered during the dive, using cave reels to deploy and recover the line. Permanent branch lines may be laid with a gap between the start of the branch line and the nearest point on the main line. Gap spools with a relatively short line are commonly used to make the jump.Line arrows are used to point towards the nearest exit, and cookies are used to indicate use of a line by a team of divers.Silt screws are short lengths of rigid tube (usually plastic) with one sharpened end and a notch or slot at the other end to secure the line, which are pushed into the silt or detritus of the cave floor as a place to tie off a guideline when no suitable natural tie-off points are available.Diver propulsion vehicles, or Scooters, are sometimes used to extend the range by reducing the work load on the diver and allowing faster travel in open sections of cave. Reliability of the diver propulsion vehicle is very important, as a failure could compromise the ability of the diver to exit the cave before running out of gas. Where this is a significant risk, divers may tow a spare scooter.[citation needed]Dive lights are critical safety equipment, as it is dark inside caves. Each diver generally carries a primary light, and at least one backup light. A minimum of three lights is recommended.[1] The primary light should last the planned duration of the dive, as should the backup lights.[1]The procedures of cave diving have much in common with procedures used for other types of penetration diving. They differ from open water procedures mainly in the emphasis on navigation, gas management, and operating in confined spaces.As most cave diving is done in an environment where there is no free surface with breathable air allowing an above-water exit, it is critically important to be able to find the way out. This is ensured by the use of a continuous guideline between the dive team and outside of the cave. Two basic types of guideline are used: permanent lines, and temporary lines. Permanent lines include a main line starting near the entrance/exit, and side lines or branch lines. Temporary lines include exploration lines and jump lines.Decompression procedures may take into account that the cave diver usually follows a very well defined route, both into and out of the cave, and can reasonably expect to find any equipment temporarily stored along the guideline while making the exit. In some caves, changes of depth of the cave along the dive route will constrain decompression depths, and gas mixtures and decompression schedules can be tailored to take this into account.Skills[edit]Good buoyancy control, trim and finning technique help preserve visibility in areas with silt deposits. The ability to navigate in total darkness using the guideline to find the way out is a safety critical emergency skill. Line management skills required for cave diving include laying and recovering guide lines using a reel, tie-offs, the use of a jump line to cross gaps or find a lost guide line in silted out conditions, and the skills of dealing with a break in a guide line.Cave diving training includes equipment selection and configuration, guideline protocols and techniques, gas management protocols, communication techniques, propulsion techniques, emergency management protocols, and psychological education.[clarification needed] Cave diver training stresses the importance of safety and cave conservation ethics. Most training programs contain various stages of certification and education.Cavern training covers the basic skills needed to enter the overhead environment. Training will generally consist of gas planning, propulsion techniques needed to deal with the silty environments in many caves, reel and handling, and communication. Once certified as a cavern diver, a diver may undertake cavern diving with a cavern or cave certified "buddy," as well as continue into cave diving training.Introduction into cave training builds on the techniques learned during cavern training and includes the training needed to penetrate beyond the cavern zone and working with permanent guidelines that exist in many caves. Once intro to cave certified, a diver may penetrate much further into a cave, usually limited by 1/3 of a single cylinder, or in the case of a basic cave certification, 1/6 of double cylinders.[citation needed] An intro cave diver is usually not certified to do complex navigation.Apprentice cave training serves as the transition from intro to full certification and includes the training needed to penetrate deep into caves working from permanent guide lines as well as limited exposure to side lines that exist in many caves. Training covers complex dive planning and decompression procedures used for longer dives. Once apprentice certified, a diver may penetrate much further into a cave, usually limited by 1/3 of double cylinders. An apprentice diver is also allowed to do a single jump or gap (a break in the guideline from two sections of mainline or between mainline and sideline) during the dive. An apprentice diver typically has one year to finish full cave or must repeat the apprentice stage.Full cave training serves as the final level of basic training and includes the training needed to penetrate deep into the cave working from both permanent guidelines and sidelines, and may plan and complete complex dives deep into a system using decompression to stay longer. Once cave certified, a diver may penetrate much further into a cave, usually limited by 1/3 of double cylinders. A cave diver is also certified as competent to do multiple jumps or gaps (a break in the guideline from two sections of mainline or between mainline and sideline) during the dive.Australia has many spectacular water filled caves and sinkholes, but unlike the UK, most Australian cave divers come from a general ocean-diving background.The "air-clear" water conditions experienced in the sinkholes and caves found in the Lower South East (now called the Limestone Coast) of South Australia (SA) has attracted many visiting divers with the first cave and sinkhole dives taking place in the very late 1950s.[16] Until the mid-1980s divers generally used single diving cylinders and homemade torches, and reels, resulting in most of their explorations being limited. Mixed-gas and rebreather technologies can now be used in many sites. The area is usually known within the cave diving community as the Mount Gambier region.A series of incidents between 1969 and 1974 in the former Lower South East of SA in which 11 divers died (including a triple and a quadruple fatality) in the following four karst features - Kilsbys Hole, Piccaninnie Ponds, Death Cave (also known as Alleyns Cave) and The Shaft - created much public comment and led to the formation of the Cave Divers Association of Australia Inc. (CDAA) in September 1973.[17] The introduction of a testing program by the CDAA in 1974, which involved the assessment of prospective cave divers' cave diving ability led to a reduced fatality rate. In 1989, this testing system was replaced by a training system which consists of three levels of qualification - Deep Cavern, Cave and Advanced Cave.[18] Five further deaths have occurred since 1974; two died at Piccaninnie Ponds in 1984, one person died at Kilsbys Hole in 2010, and two people died in separate incidents at Tank Cave in 2011 including noted cave diver Agnes Milowka.[19][20][21][22]During the 1980s, the Nullarbor Plain was recognized as a major cave-diving area, with one cave, Cocklebiddy, being explored for more than 6 kilometres, involving the use of large sleds to which were attached numerous diving cylinders and other paraphernalia, and which were then laboriously pushed through the cave by the divers. In more recent years divers have been utilizing compact diver-towing powered scooters, but the dive is still technically extremely challenging.A number of other very significant caves have also been discovered during the past 20 years or so; the 10+ (Lineal) kilometre long Tank Cave near Millicent in the Limestone Coast, other very large features on the Nullarbor and the adjacent Roe Plain as well as a number of specific sites elsewhere, and nowadays the cave diving community utilizes many techniques, equipment and standards from the U.S. and elsewhere.The CDAA is the major cave diving organisation in Australia and is responsible for the administration of cave diving at many sites. All cave diving in the Limestone Coast as well as at some New South Wales sites and the Nullarbor requires divers to be members of the CDAA, whether in the capacity of a visitor or a trained and assessed member. A number of other organisations participate in cave diving activities within Australia. The Australian Speleological Federation Cave Diving Group which was formed in 2005 coordinates projects focused on exploration and mapping at sites throughout Australia.[23] The following diving training organisations offer courses in various aspects of cave diving via instructors either resident in Australia or visiting from overseas Stewart Donn Photography.A Melbourne based photographer specialising in all Corporate, Commercial, Advertising, Industrial and Product photography. Specialising in this type of photography allows Stewart to make complicated corporate and industrial scenes, and the people in these scenes, look heroic, interesting and beautiful.Based in Melbourne’s Western suburbs.Stewart has worked and is comfortable working with, small one to five man companies such as Fundere Artist Foundry in Footscray, through to larger companies such as the Melbourne Convention & Exhibition Centre, Museum Victoria, and Energy Power Systems Australia, and has also worked with Agency’s such as Badjar Ogilvy, One20 and DT Digital.
Bradley Dohnt, Cave Diver, Olwolgin Cave, Hampton Tablelands, WA
Bradley Dohnt, Cave Diver, Olwolgin Cave, Hampton Tablelands, WACave diving is an extreme sport in which a diver visits water-filled caves. The equipment used varies depending on the circumstances, and ranges from breath hold to surface supplied, but almost all cave diving is done using scuba equipment, often in specialised configurations. Cave diving is generally considered to be a type of technical diving due to the lack of a free surface during large parts of the dive, and often involves decompression.In the United Kingdom it is an extension of the more common sport of caving, and in the United States an extension of the more common sport of scuba diving. Compared to caving and scuba diving, there are relatively few practitioners of cave diving. This is due in part to the specialized equipment (such as rebreathers, diver propulsion vehicles and dry suits) and skill sets required, and in part because of the high potential risks, including decompression sickness and drowning.Despite these risks, water-filled caves attract scuba divers, cavers, and speleologists due to their often unexplored nature, and present divers with a technical diving challenge. Underwater caves have a wide range of physical features, and can contain fauna not found elsewhere.Cave diving is one of the most challenging and potentially dangerous kinds of diving or caving and presents many hazards. Cave diving is a form of penetration diving, meaning that in an emergency a diver cannot swim vertically to the surface due to the cave's ceilings, and so must swim the entire way back out. The underwater navigation through the cave system may be difficult and exit routes may be at considerable distance, requiring the diver to have sufficient breathing gas to make the journey. The dive may also be deep, resulting in potential deep diving risks.Visibility can vary from nearly unlimited to low, or non-existent, and can go from one extreme to the other in a single dive. While a less-intensive kind of diving called cavern diving does not take divers beyond the reach of natural light (and typically no deeper than 100 ft, and penetration not further than 200 ft), true cave diving can involve penetrations of many thousands of feet, well beyond the reach of sunlight. The level of darkness experienced creates an environment impossible to see in without an artificial form of light. Caves often contain sand, mud, clay, silt, or other sediment that can further reduce underwater visibility in seconds when stirred up.Caves can carry strong water currents. Most caves emerge on the surface as either springs or siphons. Springs have out flowing currents, where water is coming up out of the Earth and flowing out across the land's surface. Siphons have in-flowing currents where, for example, an above-ground river is going underground. Some caves are complex and have some tunnels with out-flowing currents, and other tunnels with in-flowing currents. If currents are not properly managed, they can cause serious problems for the diver.Cave diving has been perceived[1] as one of the more deadly sports in the world. This perception is arguable because the vast majority of divers who have lost their lives in caves have either not undergone specialized training or have had inadequate equipment for the environment.[1] Cave divers have suggested that cave diving is in fact statistically much safer than recreational diving due to the much larger barriers imposed by experience, training, and equipment cost.[1]There is no reliable worldwide database listing all cave diving fatalities. Such fractional statistics as are available, however, suggest that very few divers have ever died while following accepted protocols and while using equipment configurations recognized as acceptable by the cave diving community.[1] In the very rare cases of exceptions to this rule there have typically been unusual circumstances.[1]Most cave divers recognize five general rules or contributing factors for safe cave diving, which were popularized, adapted and became generally accepted from Sheck Exley's 1979 publication Basic Cave Diving: A Blueprint for Survival.[1] In this book, Exley included accounts of actual cave diving accidents, and followed each one with a breakdown of what factors contributed to the accident. Despite the uniqueness of any individual accident, Exley found that at least one of a small number of major factors contributed to each one. This technique for breaking down accident reports and finding common causes among them is now called Accident Analysis, and is taught in introductory cave diving courses. Exley outlined a number of these resulting cave diving rules, but today these five are the most recognized:Training: A safe cave diver does not intentionally exceed the boundaries of his/her training.[1] Cave diving is normally taught in stages, each successive stage focusing on more complex aspects of cave diving. Furthermore, each stage of training is intended to be coupled with real world experience before moving to a more advanced level. Accident analysis of recent cave diving fatalities has proven[citation needed] that academic training without sufficient real world experience is not enough in the event of an underwater emergency. Only by slowly building experience[citation needed] can one remain calm enough to recall their training should a problem arise. An inexperienced diver (who may be recently trained) is more likely to panic than an experienced diver when confronted with a similar situation.[citation needed]Guide line: A continuous guide line is maintained at all times between the leader of a dive team and a fixed point selected outside the cave entrance in open water.[1] Often this line is tied off a second time as a backup directly inside the cavern zone.[2] As the dive leader lays the guideline he takes great care to ensure there is appropriate tension on the line.[2] and that it does not go into line traps. Should a silt out occur, divers can find the taut line and successfully follow it back to the cave entrance.[2] Failure to use a continuous guide line to open water is cited as the most frequent cause of fatality among untrained, non-certified divers who venture into caves.[1]Depth rules: Gas consumption and decompression obligation increase with depth, and it is critical that no cave diver exceeds the dive plan or the maximum operating depth (MOD) of the gas mixture used.[1] Also, the effects of nitrogen narcosis are more critical in a cave, even for a diver who has the same depth experience in open water. Cave divers are advised not to dive to "excessive depth," and to keep in mind this effective difference between open water depth and cave depth. It should be noted that among fully trained cave divers' deaths, excessive depth is frequently cited as the cause.[1]Air (gas) management: The most common protocol is the 'rule of thirds,' in which one third of the initial gas supply is used for ingress, one third for egress, and one third to support another team member in the case of an emergency.[1][3] UK practice is to adhere to the rule of thirds, but with an added emphasis on keeping depletion of the separate air systems "balanced," so that the loss of a complete air system will still leave the diver with sufficient air to return safely. The rule of thirds makes no allowance for increased air consumption that the stress caused by the loss of an air system may induce. Dissimilar tank sizes among the divers are also not included by the rule of thirds, and a sufficient reserve should be calculated for each dive. UK practice is to assume that each diver is completely independent, as in a typical UK sump there is usually nothing that a buddy can do to assist a diver in trouble. Most UK cave divers dive solo. US sump divers follow a similar protocol.[citation needed] The rule of thirds was devised as an approach to diving Florida's caves[citation needed] - they typically have high outflow currents, which help to reduce air consumption when exiting. In a cave system with little (or no) outflow it is mandatory[by whom?] to reserve more air than is provided by the rule of thirds.Lights: Each cave diver must have three independent sources of light.[1] One is considered the primary and the other two are considered backup lights. Each light must have an expected burn time of at least the planned duration of the dive. If any one of the three light sources fail for one diver, the dive is called off and ended for all members of the dive team.[citation needed]Cave divers were taught to remember the five key components with the mnemonic: "The Good Divers Always Live".[4]In recent years new contributing factors were considered after reviewing accidents involving solo diving, diving with incapable dive partners, video or photography in caves, complex cave dives and cave diving in large groups. With the establishment of technical diving, the usage of mixed gases—such as trimix for bottom gas, and nitrox and oxygen for decompression—reduces the margin for error. Accident analysis suggests that breathing the wrong gas at the wrong depth and/or not analyzing the breathing gas properly has led to cave diving accidents.[citation needed]Cave diving requires a variety of specialized techniques. Divers who do not correctly apply these techniques, greatly increase the risk to the members of their team. The cave diving community works hard to educate the public on the risks they assume when they enter water-filled caves.[citation needed] Warning signs with the likenesses of the Grim Reaper have been placed just inside the openings of many popular caves in the US, and others have been placed in nearby parking lots and local dive shops.[5]Many cave diving sites around the world contain basins, which are also popular open-water diving sites. The management of these sites try to minimize the risk of untrained divers being tempted to venture inside the cave systems. With the support of the cave diving community, many of these sites enforce a "no-lights rule" for divers who lack cave training—they may not carry any lights into the water with them.[citation needed] It is easy to venture into an underwater cave with a light and not realize how far away from the entrance (and daylight) one has swum; this rule is based on the theory that, without a light, divers will not venture beyond daylight.[citation needed]New available technology and diver experience are no longer matching the initial phase of local cave diving accident analysis.[clarification needed] In the early phases the analysis shows that 90% of accidents were not trained cave divers; from the 2000s on the trend has reversed to 80% of accidents involving trained cave divers.[citation needed] Modern cave divers' capability and available technology allows divers to venture well beyond traditional training limits[clarification needed] and into actual exploration. The result is an increase of cave diving accidents, in fact in 2011 alone the yearly average of 2.5 fatalities a year triple.[citation needed] Furthermore, in 2012 fatality rate average had already been surpassed and actually reach the highest peak ever at over 20.[citation needed]As response to the increase in fatalities during the years 2010 onwards, the International Diving Research and Exploration Organization (IDREO) was created in order to "bring awareness of the current safety situation of Cave Diving" by listing current worldwide accidents by year and promoting a community discussion and analysis of accidents through a "Cave Diver Safety Meeting" held annually.[6]Equipment used by cave divers ranges from fairly standard recreational scuba configurations, to more complex arrangements which allow more freedom of movement in confined spaces, extended range in terms of depth and time, allowing greater distances to be covered in acceptable safety, and equipment which helps with navigation, in what are usually dark, and often silty and convoluted spaces.Scuba configurations which are more often found in cave diving than in open water diving include independent or manifolded twin cylinder rigs, side-mount harnesses, sling cylinders, rebreathers and backplate and wing harnesses. Bill Stone designed and utilized epoxy based tank for exploration of the San Agustín and Sistema Huautla caves in Mexico to decrease the weight for dry sections and vertical passages.[7][8]Stage cylinders are cylinders which are used to provide gas for a portion of the penetration. They may be deposited on the bottom at the guideline on preparation dives, to be picked up for use during the main dive, or may be carried by the divers and dropped off at the line during the penetration to be retrieved on the way out.One of the high risk hazards of cave diving is getting lost in the cave.[citation needed] The use of guidelines is the standard mitigation for this risk.[citation needed] Guidelines may be permanent or laid and recovered during the dive, using cave reels to deploy and recover the line. Permanent branch lines may be laid with a gap between the start of the branch line and the nearest point on the main line. Gap spools with a relatively short line are commonly used to make the jump.Line arrows are used to point towards the nearest exit, and cookies are used to indicate use of a line by a team of divers.Silt screws are short lengths of rigid tube (usually plastic) with one sharpened end and a notch or slot at the other end to secure the line, which are pushed into the silt or detritus of the cave floor as a place to tie off a guideline when no suitable natural tie-off points are available.Diver propulsion vehicles, or Scooters, are sometimes used to extend the range by reducing the work load on the diver and allowing faster travel in open sections of cave. Reliability of the diver propulsion vehicle is very important, as a failure could compromise the ability of the diver to exit the cave before running out of gas. Where this is a significant risk, divers may tow a spare scooter.[citation needed]Dive lights are critical safety equipment, as it is dark inside caves. Each diver generally carries a primary light, and at least one backup light. A minimum of three lights is recommended.[1] The primary light should last the planned duration of the dive, as should the backup lights.[1]The procedures of cave diving have much in common with procedures used for other types of penetration diving. They differ from open water procedures mainly in the emphasis on navigation, gas management, and operating in confined spaces.As most cave diving is done in an environment where there is no free surface with breathable air allowing an above-water exit, it is critically important to be able to find the way out. This is ensured by the use of a continuous guideline between the dive team and outside of the cave. Two basic types of guideline are used: permanent lines, and temporary lines. Permanent lines include a main line starting near the entrance/exit, and side lines or branch lines. Temporary lines include exploration lines and jump lines.Decompression procedures may take into account that the cave diver usually follows a very well defined route, both into and out of the cave, and can reasonably expect to find any equipment temporarily stored along the guideline while making the exit. In some caves, changes of depth of the cave along the dive route will constrain decompression depths, and gas mixtures and decompression schedules can be tailored to take this into account.Skills[edit]Good buoyancy control, trim and finning technique help preserve visibility in areas with silt deposits. The ability to navigate in total darkness using the guideline to find the way out is a safety critical emergency skill. Line management skills required for cave diving include laying and recovering guide lines using a reel, tie-offs, the use of a jump line to cross gaps or find a lost guide line in silted out conditions, and the skills of dealing with a break in a guide line.Cave diving training includes equipment selection and configuration, guideline protocols and techniques, gas management protocols, communication techniques, propulsion techniques, emergency management protocols, and psychological education.[clarification needed] Cave diver training stresses the importance of safety and cave conservation ethics. Most training programs contain various stages of certification and education.Cavern training covers the basic skills needed to enter the overhead environment. Training will generally consist of gas planning, propulsion techniques needed to deal with the silty environments in many caves, reel and handling, and communication. Once certified as a cavern diver, a diver may undertake cavern diving with a cavern or cave certified "buddy," as well as continue into cave diving training.Introduction into cave training builds on the techniques learned during cavern training and includes the training needed to penetrate beyond the cavern zone and working with permanent guidelines that exist in many caves. Once intro to cave certified, a diver may penetrate much further into a cave, usually limited by 1/3 of a single cylinder, or in the case of a basic cave certification, 1/6 of double cylinders.[citation needed] An intro cave diver is usually not certified to do complex navigation.Apprentice cave training serves as the transition from intro to full certification and includes the training needed to penetrate deep into caves working from permanent guide lines as well as limited exposure to side lines that exist in many caves. Training covers complex dive planning and decompression procedures used for longer dives. Once apprentice certified, a diver may penetrate much further into a cave, usually limited by 1/3 of double cylinders. An apprentice diver is also allowed to do a single jump or gap (a break in the guideline from two sections of mainline or between mainline and sideline) during the dive. An apprentice diver typically has one year to finish full cave or must repeat the apprentice stage.Full cave training serves as the final level of basic training and includes the training needed to penetrate deep into the cave working from both permanent guidelines and sidelines, and may plan and complete complex dives deep into a system using decompression to stay longer. Once cave certified, a diver may penetrate much further into a cave, usually limited by 1/3 of double cylinders. A cave diver is also certified as competent to do multiple jumps or gaps (a break in the guideline from two sections of mainline or between mainline and sideline) during the dive.Australia has many spectacular water filled caves and sinkholes, but unlike the UK, most Australian cave divers come from a general ocean-diving background.The "air-clear" water conditions experienced in the sinkholes and caves found in the Lower South East (now called the Limestone Coast) of South Australia (SA) has attracted many visiting divers with the first cave and sinkhole dives taking place in the very late 1950s.[16] Until the mid-1980s divers generally used single diving cylinders and homemade torches, and reels, resulting in most of their explorations being limited. Mixed-gas and rebreather technologies can now be used in many sites. The area is usually known within the cave diving community as the Mount Gambier region.A series of incidents between 1969 and 1974 in the former Lower South East of SA in which 11 divers died (including a triple and a quadruple fatality) in the following four karst features - Kilsbys Hole, Piccaninnie Ponds, Death Cave (also known as Alleyns Cave) and The Shaft - created much public comment and led to the formation of the Cave Divers Association of Australia Inc. (CDAA) in September 1973.[17] The introduction of a testing program by the CDAA in 1974, which involved the assessment of prospective cave divers' cave diving ability led to a reduced fatality rate. In 1989, this testing system was replaced by a training system which consists of three levels of qualification - Deep Cavern, Cave and Advanced Cave.[18] Five further deaths have occurred since 1974; two died at Piccaninnie Ponds in 1984, one person died at Kilsbys Hole in 2010, and two people died in separate incidents at Tank Cave in 2011 including noted cave diver Agnes Milowka.[19][20][21][22]During the 1980s, the Nullarbor Plain was recognized as a major cave-diving area, with one cave, Cocklebiddy, being explored for more than 6 kilometres, involving the use of large sleds to which were attached numerous diving cylinders and other paraphernalia, and which were then laboriously pushed through the cave by the divers. In more recent years divers have been utilizing compact diver-towing powered scooters, but the dive is still technically extremely challenging.A number of other very significant caves have also been discovered during the past 20 years or so; the 10+ (Lineal) kilometre long Tank Cave near Millicent in the Limestone Coast, other very large features on the Nullarbor and the adjacent Roe Plain as well as a number of specific sites elsewhere, and nowadays the cave diving community utilizes many techniques, equipment and standards from the U.S. and elsewhere.The CDAA is the major cave diving organisation in Australia and is responsible for the administration of cave diving at many sites. All cave diving in the Limestone Coast as well as at some New South Wales sites and the Nullarbor requires divers to be members of the CDAA, whether in the capacity of a visitor or a trained and assessed member. A number of other organisations participate in cave diving activities within Australia. The Australian Speleological Federation Cave Diving Group which was formed in 2005 coordinates projects focused on exploration and mapping at sites throughout Australia.[23] The following diving training organisations offer courses in various aspects of cave diving via instructors either resident in Australia or visiting from overseas Stewart Donn Photography.A Melbourne based photographer specialising in all Corporate, Commercial, Advertising, Industrial and Product photography. Specialising in this type of photography allows Stewart to make complicated corporate and industrial scenes, and the people in these scenes, look heroic, interesting and beautiful.Based in Melbourne’s Western suburbs.Stewart has worked and is comfortable working with, small one to five man companies such as Fundere Artist Foundry in Footscray, through to larger companies such as the Melbourne Convention & Exhibition Centre, Museum Victoria, and Energy Power Systems Australia, and has also worked with Agency’s such as Badjar Ogilvy, One20 and DT Digital.
South Wharf, Melbourne Convention and Exhibition Centre
South Wharf, Melbourne Convention and Exhibition CentreThe Melbourne Convention and Exhibition Centre is the name given to two adjacent buildings next to the Yarra River in South Wharf, an inner-city suburb of Melbourne, Victoria, Australia. The venues are owned and operated by the Melbourne Convention and Exhibition Trust.The Melbourne Exhibition Centre Trust was created in August 1994 with the responsibility of overseeing the construction and development of the Melbourne Exhibition Centre. In February 1997, the Melbourne Convention and Exhibition Trust began, replacing the previous trust with the added scope of the Melbourne Convention Centre, formerly called the World Congress Centre Melbourne. In August 1997, the Melbourne Convention and Exhibition Trust became owner and venue manager of both the Melbourne Exhibition Centre and the Melbourne Convention Centre.[3]The Melbourne Convention and Exhibition Trust is also responsible for managing and promoting the use of the Royal Exhibition Building in the Carlton Gardens.[3] As a government-owned trust, The Melbourne Convention and Exhibition Trust is responsible to the Minister for Tourism.[3]The Melbourne Exhibition Centre was opened on 14 February 1996 and is known colloquially as "Jeff's Shed" after the then Victorian Premier, Jeff Kennett.[4][5]It has a pillarless floor space of 30,000 square metres, making it the largest such space in the southern hemisphere, which allows it to host thousands of large exhibitions, some which are held each year.The building was designed by Denton Corker Marshall, an architectural firm responsible for many of Melbourne's larger buildings through the early 1990s, and features their characteristic "blade" entrance.[6] In 1998 a covered footbridge was erected between the Exhibition and Convention centres, parallel to the Spencer Street Bridge.[7]The building resembles a long shed with separated operable walls (each valued at $250,000).[8] This allows the space to be split from a maximum of 30,000 square metres of 360 metres long by 84 metres wide into a minimum of 3,000 square metre spaces.[8] The single volume with a proportion of length to width of approximately 2.5:1 was chosen.[9] Other than the exhibition space, the building also has a basement that is able to hold 1,000 cars.[9]From the main entrance, visitors would be able to see the 450 metres southward vista of the concourse as well as the mezzanine balconies. On the first floor of the entry pavilion and extending along the mezzanine platform, there are meeting and function rooms which separates the double-height hall and concourse.[10] Some have large windows overlooking the exhibition.[10]The Melbourne Exhibition Centre was to be built larger than the Sydney Exhibition Building while still costing the same.[9] The building has become an icon in Melbourne due to the main entrance which consists of metal blades tilted at an angle and supported by a pair of yellow rods which is hard to miss even among its more prominent neighbours.The site for the Exhibition Centre was previously the site for Daryl Jackson’s Museum of Victoria.[11] The brief required DCM to work with the partially built concrete structure. According to Melbourne architect and critic Norman Day, the column-free space could be associated to the Russian Constructivist of the 1920s such as the Vesnin brothers' Kiev railway station scheme 1926.[8] Another relation to the Russian Constructivist is the cantilevered structure supported by yellow steel props as well as the large metal letters arranged over the top of the entrance.[8]The building consists of two different roof designs which are angled at different directions. This was due to the intention to create two different successful spaces which is the exhibition space and the public space (concourse of the building).[9] By this method, the architects manage to create two different environments, one which is an enclosed exhibition space and another is the concourse which is open to the public.Due to the brief that required the building to be constructed in a short amount of time and save cost, a repetitive system of identical trusses clad in aluminium sheet were used.[9] On top of that, the trusses have to be solid in order to provide sound isolation from one hall to the next.[9] At the same time, in order to reduce the span, and to stiffen them laterally, the architects tapered them in cross section.[9]The two rows of columns that are located in the verandah (the building’s long frontage facing the river) are intended to give a subtle separation of the interior and exterior of the building.[9]The blades which are located along the concourse are coloured in a series of Francis-Bacon-inspired colours, with hall numbers stencilled on. This serves as a double purpose of punctuating the linear volume and labelling the halls.[9]The aerodynamic treatment of the colonnade canopy, which disperses wind, influenced another Melbourne architect, Peter Elliott, in the design of the Spencer Street Footbridge in 1999.The old Convention Centre on the opposite side of the Yarra River was opened in May 1990 and has hosted thousands of conventions and meetings.[4] The building was originally intended to be used by the Melbourne Museum but Jeff Kennett intervened during construction to have the building used as a convention centre.The new Convention Centre, on land adjacent to the Exhibition Centre, was completed in 2009. At a cost of A$1 billion, the development consists of a 5541-seat Plenary Hall that can be divided into three separate theatres, 32 meeting rooms of various sizes, a grand banquet room as well as a Hilton hotel, office, residential and retail space.[13] It was developed by a consortium led by Brookfield Multiplex and Plenary Group and designed by Larry Oltmanns.[14] The new centre uses a range of features in order to achieve a 6 Star Green Star environmental rating and to become the first convention centre in the world with that rating.[15] The architects for the development were NH Architecture and Woods Bagot.[16]The new Melbourne Convention Centre was awarded the Australian Construction Achievement Award in 2010.Stewart Donn Photography.A Melbourne based photographer specialising in all Corporate, Commercial, Advertising, Industrial and Product photography. Specialising in this type of photography allows Stewart to make complicated corporate and industrial scenes, and the people in these scenes, look heroic, interesting and beautiful.Based in Melbourne’s Western suburbs.Stewart has worked and is comfortable working with, small one to five man companies such as Fundere Artist Foundry in Footscray, through to larger companies such as the Melbourne Convention & Exhibition Centre, Museum Victoria, and Energy Power Systems Australia, and has also worked with Agency’s such as Badjar Ogilvy, One20 and DT Digital.
South Wharf, Melbourne Convention and Exhibition Centre
South Wharf, Melbourne Convention and Exhibition CentreThe Melbourne Convention and Exhibition Centre is the name given to two adjacent buildings next to the Yarra River in South Wharf, an inner-city suburb of Melbourne, Victoria, Australia. The venues are owned and operated by the Melbourne Convention and Exhibition Trust.The Melbourne Exhibition Centre Trust was created in August 1994 with the responsibility of overseeing the construction and development of the Melbourne Exhibition Centre. In February 1997, the Melbourne Convention and Exhibition Trust began, replacing the previous trust with the added scope of the Melbourne Convention Centre, formerly called the World Congress Centre Melbourne. In August 1997, the Melbourne Convention and Exhibition Trust became owner and venue manager of both the Melbourne Exhibition Centre and the Melbourne Convention Centre.[3]The Melbourne Convention and Exhibition Trust is also responsible for managing and promoting the use of the Royal Exhibition Building in the Carlton Gardens.[3] As a government-owned trust, The Melbourne Convention and Exhibition Trust is responsible to the Minister for Tourism.[3]The Melbourne Exhibition Centre was opened on 14 February 1996 and is known colloquially as "Jeff's Shed" after the then Victorian Premier, Jeff Kennett.[4][5]It has a pillarless floor space of 30,000 square metres, making it the largest such space in the southern hemisphere, which allows it to host thousands of large exhibitions, some which are held each year.The building was designed by Denton Corker Marshall, an architectural firm responsible for many of Melbourne's larger buildings through the early 1990s, and features their characteristic "blade" entrance.[6] In 1998 a covered footbridge was erected between the Exhibition and Convention centres, parallel to the Spencer Street Bridge.[7]The building resembles a long shed with separated operable walls (each valued at $250,000).[8] This allows the space to be split from a maximum of 30,000 square metres of 360 metres long by 84 metres wide into a minimum of 3,000 square metre spaces.[8] The single volume with a proportion of length to width of approximately 2.5:1 was chosen.[9] Other than the exhibition space, the building also has a basement that is able to hold 1,000 cars.[9]From the main entrance, visitors would be able to see the 450 metres southward vista of the concourse as well as the mezzanine balconies. On the first floor of the entry pavilion and extending along the mezzanine platform, there are meeting and function rooms which separates the double-height hall and concourse.[10] Some have large windows overlooking the exhibition.[10]The Melbourne Exhibition Centre was to be built larger than the Sydney Exhibition Building while still costing the same.[9] The building has become an icon in Melbourne due to the main entrance which consists of metal blades tilted at an angle and supported by a pair of yellow rods which is hard to miss even among its more prominent neighbours.The site for the Exhibition Centre was previously the site for Daryl Jackson’s Museum of Victoria.[11] The brief required DCM to work with the partially built concrete structure. According to Melbourne architect and critic Norman Day, the column-free space could be associated to the Russian Constructivist of the 1920s such as the Vesnin brothers' Kiev railway station scheme 1926.[8] Another relation to the Russian Constructivist is the cantilevered structure supported by yellow steel props as well as the large metal letters arranged over the top of the entrance.[8]The building consists of two different roof designs which are angled at different directions. This was due to the intention to create two different successful spaces which is the exhibition space and the public space (concourse of the building).[9] By this method, the architects manage to create two different environments, one which is an enclosed exhibition space and another is the concourse which is open to the public.Due to the brief that required the building to be constructed in a short amount of time and save cost, a repetitive system of identical trusses clad in aluminium sheet were used.[9] On top of that, the trusses have to be solid in order to provide sound isolation from one hall to the next.[9] At the same time, in order to reduce the span, and to stiffen them laterally, the architects tapered them in cross section.[9]The two rows of columns that are located in the verandah (the building’s long frontage facing the river) are intended to give a subtle separation of the interior and exterior of the building.[9]The blades which are located along the concourse are coloured in a series of Francis-Bacon-inspired colours, with hall numbers stencilled on. This serves as a double purpose of punctuating the linear volume and labelling the halls.[9]The aerodynamic treatment of the colonnade canopy, which disperses wind, influenced another Melbourne architect, Peter Elliott, in the design of the Spencer Street Footbridge in 1999.The old Convention Centre on the opposite side of the Yarra River was opened in May 1990 and has hosted thousands of conventions and meetings.[4] The building was originally intended to be used by the Melbourne Museum but Jeff Kennett intervened during construction to have the building used as a convention centre.The new Convention Centre, on land adjacent to the Exhibition Centre, was completed in 2009. At a cost of A$1 billion, the development consists of a 5541-seat Plenary Hall that can be divided into three separate theatres, 32 meeting rooms of various sizes, a grand banquet room as well as a Hilton hotel, office, residential and retail space.[13] It was developed by a consortium led by Brookfield Multiplex and Plenary Group and designed by Larry Oltmanns.[14] The new centre uses a range of features in order to achieve a 6 Star Green Star environmental rating and to become the first convention centre in the world with that rating.[15] The architects for the development were NH Architecture and Woods Bagot.[16]The new Melbourne Convention Centre was awarded the Australian Construction Achievement Award in 2010.Stewart Donn Photography.A Melbourne based photographer specialising in all Corporate, Commercial, Advertising, Industrial and Product photography. Specialising in this type of photography allows Stewart to make complicated corporate and industrial scenes, and the people in these scenes, look heroic, interesting and beautiful.Based in Melbourne’s Western suburbs.Stewart has worked and is comfortable working with, small one to five man companies such as Fundere Artist Foundry in Footscray, through to larger companies such as the Melbourne Convention & Exhibition Centre, Museum Victoria, and Energy Power Systems Australia, and has also worked with Agency’s such as Badjar Ogilvy, One20 and DT Digital.
South Wharf, Melbourne Convention and Exhibition Centre
South Wharf, Melbourne Convention and Exhibition CentreThe Melbourne Convention and Exhibition Centre is the name given to two adjacent buildings next to the Yarra River in South Wharf, an inner-city suburb of Melbourne, Victoria, Australia. The venues are owned and operated by the Melbourne Convention and Exhibition Trust.The Melbourne Exhibition Centre Trust was created in August 1994 with the responsibility of overseeing the construction and development of the Melbourne Exhibition Centre. In February 1997, the Melbourne Convention and Exhibition Trust began, replacing the previous trust with the added scope of the Melbourne Convention Centre, formerly called the World Congress Centre Melbourne. In August 1997, the Melbourne Convention and Exhibition Trust became owner and venue manager of both the Melbourne Exhibition Centre and the Melbourne Convention Centre.[3]The Melbourne Convention and Exhibition Trust is also responsible for managing and promoting the use of the Royal Exhibition Building in the Carlton Gardens.[3] As a government-owned trust, The Melbourne Convention and Exhibition Trust is responsible to the Minister for Tourism.[3]The Melbourne Exhibition Centre was opened on 14 February 1996 and is known colloquially as "Jeff's Shed" after the then Victorian Premier, Jeff Kennett.[4][5]It has a pillarless floor space of 30,000 square metres, making it the largest such space in the southern hemisphere, which allows it to host thousands of large exhibitions, some which are held each year.The building was designed by Denton Corker Marshall, an architectural firm responsible for many of Melbourne's larger buildings through the early 1990s, and features their characteristic "blade" entrance.[6] In 1998 a covered footbridge was erected between the Exhibition and Convention centres, parallel to the Spencer Street Bridge.[7]The building resembles a long shed with separated operable walls (each valued at $250,000).[8] This allows the space to be split from a maximum of 30,000 square metres of 360 metres long by 84 metres wide into a minimum of 3,000 square metre spaces.[8] The single volume with a proportion of length to width of approximately 2.5:1 was chosen.[9] Other than the exhibition space, the building also has a basement that is able to hold 1,000 cars.[9]From the main entrance, visitors would be able to see the 450 metres southward vista of the concourse as well as the mezzanine balconies. On the first floor of the entry pavilion and extending along the mezzanine platform, there are meeting and function rooms which separates the double-height hall and concourse.[10] Some have large windows overlooking the exhibition.[10]The Melbourne Exhibition Centre was to be built larger than the Sydney Exhibition Building while still costing the same.[9] The building has become an icon in Melbourne due to the main entrance which consists of metal blades tilted at an angle and supported by a pair of yellow rods which is hard to miss even among its more prominent neighbours.The site for the Exhibition Centre was previously the site for Daryl Jackson’s Museum of Victoria.[11] The brief required DCM to work with the partially built concrete structure. According to Melbourne architect and critic Norman Day, the column-free space could be associated to the Russian Constructivist of the 1920s such as the Vesnin brothers' Kiev railway station scheme 1926.[8] Another relation to the Russian Constructivist is the cantilevered structure supported by yellow steel props as well as the large metal letters arranged over the top of the entrance.[8]The building consists of two different roof designs which are angled at different directions. This was due to the intention to create two different successful spaces which is the exhibition space and the public space (concourse of the building).[9] By this method, the architects manage to create two different environments, one which is an enclosed exhibition space and another is the concourse which is open to the public.Due to the brief that required the building to be constructed in a short amount of time and save cost, a repetitive system of identical trusses clad in aluminium sheet were used.[9] On top of that, the trusses have to be solid in order to provide sound isolation from one hall to the next.[9] At the same time, in order to reduce the span, and to stiffen them laterally, the architects tapered them in cross section.[9]The two rows of columns that are located in the verandah (the building’s long frontage facing the river) are intended to give a subtle separation of the interior and exterior of the building.[9]The blades which are located along the concourse are coloured in a series of Francis-Bacon-inspired colours, with hall numbers stencilled on. This serves as a double purpose of punctuating the linear volume and labelling the halls.[9]The aerodynamic treatment of the colonnade canopy, which disperses wind, influenced another Melbourne architect, Peter Elliott, in the design of the Spencer Street Footbridge in 1999.The old Convention Centre on the opposite side of the Yarra River was opened in May 1990 and has hosted thousands of conventions and meetings.[4] The building was originally intended to be used by the Melbourne Museum but Jeff Kennett intervened during construction to have the building used as a convention centre.The new Convention Centre, on land adjacent to the Exhibition Centre, was completed in 2009. At a cost of A$1 billion, the development consists of a 5541-seat Plenary Hall that can be divided into three separate theatres, 32 meeting rooms of various sizes, a grand banquet room as well as a Hilton hotel, office, residential and retail space.[13] It was developed by a consortium led by Brookfield Multiplex and Plenary Group and designed by Larry Oltmanns.[14] The new centre uses a range of features in order to achieve a 6 Star Green Star environmental rating and to become the first convention centre in the world with that rating.[15] The architects for the development were NH Architecture and Woods Bagot.[16]The new Melbourne Convention Centre was awarded the Australian Construction Achievement Award in 2010.Stewart Donn Photography.A Melbourne based photographer specialising in all Corporate, Commercial, Advertising, Industrial and Product photography. Specialising in this type of photography allows Stewart to make complicated corporate and industrial scenes, and the people in these scenes, look heroic, interesting and beautiful.Based in Melbourne’s Western suburbs.Stewart has worked and is comfortable working with, small one to five man companies such as Fundere Artist Foundry in Footscray, through to larger companies such as the Melbourne Convention & Exhibition Centre, Museum Victoria, and Energy Power Systems Australia, and has also worked with Agency’s such as Badjar Ogilvy, One20 and DT Digital.
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